Author Archives: Sean Lovelace

The pity of it is we are free

Account of working in the Breadloaf Writing Retreat kitchen.

It kills me that people still ban Vonnegut, but Vonnegut is striking back!

I of course remember the first time I met Vonnegut, off near that GM plant in Fort Wayne, on that state land, well we were deer hunting,  a reduction hunt, shotgun only, and Vonnegut and I both clueless, hadn’t scouted besides a quick glimpse at a topo map and asking some lady Vonnegut knew at the plant, her name was Sheila and she had these very largy yet remarkably firm breasts and she just said, “I seen a big ol’ deer out there, size of a sandwich” and anyway Vonnegut goes and shoots a button buck, you know them teenager bucks, little buttons on top, dumb as boiled gravel, and Vonnegut just sort of gut-shoots it and it humps all up and then jumps over the fence, off into that GM land, clearly off-limits, and Vonnegut just unsnaps a little folding knife, maybe a Gerber or whatnot, off his belt and scurries up the fence and leaps off and onto that button buck and they’re all rolling and thrashing about and leaves flying and finally Vonnegut rares up and slits that deer’s throat! Damn, man. And then he just, I guess adrenaline and all, just heaves that deer right over the fence and climbs back up and over and Vonnegut all heavy heaving red-faced, all blood on his hands and arms and specks on his mustache whatnot and sort of panting and laughing and I go, “Damn, man, that was something” and he starts maybe laughing I don’t know and sticks his knife in the ground, wipes it clean on his pants leg, snaps it right back onto his belt, grabs the hind legs of the little button buck and says, “Yeh, it was something. How about giving me a hand here?”

And so we drug that deer out is what I remember and ate some of it over fire that night with cold cans of beer and a touch of hot sauce.

*

He enters a clearing with a small blue tent and a poodle tied to a picnic table.

*

Kraft sells off Velveeta, the sons-a-bitches. You dare doubt Velveeta!! I would like to introduce you, Kraft, to your brethren and their wise words. Your brothers are:

Variety Magazine, 1955. Here is their opinion on rock-n-roll:

It will be gone by June.

I also introduce you to another one of your mealy, doughy, half-baked brothers, Thomas Watson, chairman of IBM, 1943:

I think there is a world market for maybe five computers.

And so on…Oh, you will rue this day, Kraft. I will write documents so analytical, so bereft of emotion (seemingly), so rhetorically sound as to raise the hair on the backs of the necks of statues of grandmothers. I will raise an army against you…etc, etc. Hold up, my dog just ran out the door. And guess what? My dog does not react to verbal commands. Ha, ha! What a dog! What a jolly animal. Running among the jolly streets, the jolly screeching of tires, random curses, potential lawsuits, oh ha, ha, ha, living the dream of Man’s Best Friend…Listen: Velveeta is formless. Tabula rasa. A friend with cheese is a friend indeed. Something.

*

Yes, this book stumbles through itself, in search of itself, learning to bend and snap, discovering the depths and directions of its voice and at the end pops out this layered clump, like a rubberband ball with a pulse, that bounces around us and stretches thoughtshapes in and out and back again and we get all smiley, not really knowing what to say or think.

*

Hey, all you communist bastards, you fish-forgetters, you fruit fly fuckers who bang on Flash Fiction, check out these snow globes by Walter Martin and Palamo Munoz.

What’s my point? My point is take note. Click the link. The snow globes ARE flash fiction. Megadecahedron on your ass. Hey you: Stop eating pretentious lunches, like olives and shit, you flash haters, you Neanderthals of the long leg Daddy variety, you flashcists. Punks.

Oh, I bet you suck olives.

I bet you eat multiple varieties of olives.

Pretentious ass! (Lover of silver SUV with Jesus fish; long walks on the cooling bodies of superstars died early; wearer of black ski masks with mouths outlined in yellow; etc.)

*

I don’t know Casey Hannan’s work, but I am going to get to know it. This flash (over at wigleaf is one of the best I’ve seen over there, and I have seen plenty of glow over at the leaf. It catches a moment, then collects the prisms of the moment, the multiple angles of split light. Interior, exterior, the cigarette and the ash, the lips and lungs (and heart). See, flash is light, a flashlight. It illuminates, captures a beaming moment, lets you listen to the scurrying right outside the beam, in the dark.

You love wordplay, so you howl until it transforms into a scissored cough, like your breath is caught in a rock tumbler. I realize this will be your last cigarette ever. You bleed your coughs onto the shoulder of your t-shirt in big, tacky blotches, and you say, “This is it, Case, my only chance to do something like this before I die. I’m dyeing, God, how I’m dyeing this shirt right in front of you.”

*

My lunch was all European, all junque cosmopolitan, olives and blue cheese olives and hummus and brick-bread and almonds (king of the nuts), and a little Fat Tire, Fat Tire, a beer on the cusp, the little shimmering cusp, of obnoxiousness. I see one more semi truck plastered in FAT TIRE and I’m going to get off my feed, going to chuck a lug, going to pour grape juice marinade on the cuticles of my…something. OK, we had people by last night and I now eat leftovers. This lunch made me feel like a normal human being.  Or like the value of my house dropped yet another 10 grand or that Boeing launched a 787 Dreamliner

or

–I wanted you to actually hear what I’m saying.

–What was that?

–the wind picked up…

–There’s only one thing really wrong with him.

or:

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More and more often I don’t ‘understand’ Blake Butler’s blog.

One time I was in Chicago and this woman approached me and I was all feeling inside like “wow I like when women approach me” and she got really close, sort of like artist-in-the-anticipation-of-needs close or like swans in a floral arrangements close (anyway), and she said in this sort of haltingly with an accent voice: “Do. You. Know this. Blake Boootttleerr?”

And I said, “Blake Butler? Yeh I know him.”

And she said, “Can youse. Show him. To me.”

So I walked her over to see Blake Butler and we both stared at the back of his head, from a distance. And she said, “Tank. You.”

*

Steve Stringer has a wonderful touch over at Juked, with Seaplanes. It’s a little Carver and certainly a shake of Denis Johnson, but he avoids the derivative, with crisp scene-setting, with an occasional jarring transition, and an oft memorable line. Don’t know much about Stringer myself, but will keep my antennae up.

He says he shoplifted gospel cassettes, says he filched from the collection plate, says sometimes he prayed to basketball players instead of God. He says when he worked in the morgue he was coming off a morphine addiction. When no one was around, he’d peel back the fentanyl patches off the bodies, prick a hole in the patch with a pin, and lick the gel. He says he’s sorry.

He just sits there frozen and dry like astronaut food.

*

At decomP I enjoyed this by Robert Laughlin:

The parade moved on, but not the elephant that collapsed in the city’s busiest intersection. People in their stalled cars watched a city truck arrive. The city men planted a sign in the asphalt: ASIAN ELEPHANT/ELEPHAS MAXIMUS
IN PROCESS OF NATURAL DECAY
FINE FOR REMOVAL

*

Fog gets a big ol’ review here at Faster Times.

What? You want me to answer even more questions about Fog? That type of thing fascinates you, along with cockroaches and snorting Dexedrine off the top of church pews? Ok, then, I answer questions about Fog for NANO Fiction.

Here, I slap a canoe rack of my glow Outback:

Placing a canoe rack feels glow because I know I have done something. When I write, I am not sure I have done a damn thing. And it goes on and on and to thread one’s way unseen through the world must feel wonderful, so to speak…something.

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I am now reading Today and Tomorrow by Ofelia Hunt.

Bill Murray’s face is on the cover, always a very good sign.

“R2D2 was a great guy and a fine actor.”

-Bill Murray

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Would everyone please shut the fuck up about Shark Week?

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Hill workouts. Are they effective?

1. East Africans have been traipsing up and down the steep slopes of the Great Rift Valley for millennia.

2. Hill muscles and sprint muscles are almost exactly the same.

3. While every other runner dreads hills, why not make them your specialty? Then you approach the hill and think, “I’ve got them now.”

4. Hills develops coordination, encouraging the proper use of arm action.

5. Hills are a grind. Every runner must grind. Must fuck grind, love grind, sweet milk of grind embrace grind. Know grind. Lick grind. Grind. I can’t even tell you how much of my running career has been built on grind, or as one coach told me way, way, way back in high school:

“Sean, you’re strength is your strength.”

Meaning I don’t stop. I grind.

6. Running hills make you better at…running hills.

Just did 9 minutes at 2% grade, 9 at 3%, 9 at 4%, 9 at 5%, 9 at 6%, 3 at 7%. I am now sweat-slicked and legs all undressed and winnowed Tree and sigh, sigh muscles and I need a beer.

*

I kind of dig this photo of Jesus.I ripped it from Vouched. Who knows where they ripped it from.

*

You people who hate flash are still here?You damn kite stranglers! You Shrunken Strunks & Whites. You baa, baa, baa haters. You postnasal lopper-gangers! You fountain pens filled with troll heavens. You mes! You memory hazers. You slap boxes! You TVs! You slow, slow cult. You Sheriffs! You tornado Sheriffs! You posh costumes of baleful asthma. You curds. Well.

FOG of postcards and sublime slivers of glass

Holy fuck this is glow! Watch it. Drink Canadian whiskey and eat 114 oysters raw and wack-off (or don’t wack-off, whatever) and watch it. What a human. A golden humpbacked whale. A walking lighthouse of thorn-bushes and vodka bras and poetry. I love the man.

*

A bird just flew into my window, but enough about me. Wearing ballet slippers to a funeral? I enjoy the feel of a half pint bottle in the back pocket of jeans, that smooth pressing. Wrist-bone, phone, sky. A boy carrying either a human head or a head of lettuce under his arm. Overpasses. Revision is more creative than the actual first draft. Is that true? Hot swatches on sun on the grass. Water the lawn only occasionally, but for long, long periods. Work habits. Dug out a tree, but have not replaced the tree. Big, empty spaces. Fuck. No, fuck you. No, fuck me. The treadmill is repaired! I keep running through my days. What are you running from, sir? That seems an empty and obvious question. The past is growing! Oh shit, that means the future is shrinking. It’s all, unfortunately, math. Staggering on spindly legs. Something like that.

[follow my command!]

The Fog is rolling in…

Review here:

The comparison to Stein is perhaps the highest praise I can offer for Fog Gorgeous Stag. The more I spend time with this new genre of Fog, the better I like it.

Review here:

Fog Gorgeous Stag is brilliant collage, unsentimental divergence, uncorked spilling and a lack of containment.

Review here:

At first read, one might mistake Sean Lovelace’s hybrid-prose poem collection Fog Gorgeous Stag to be a magical manual, a book which reads back the conscious of whatever the reader is looking for, through glowing light pages.

Two comparisons to Gertrude Stein. I’ll take that, though it is a bit like comparing a golden crow to a chalky lump of bird splatter (myself as the bird shit, obviously). So, anyway. If you like Stein, maybe purchase my book. Eh, eh?

[boom!]

I’m sort of into the work of Laurel Nakadate (two pics above)

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Went to a reading. Met cool people. Words all Gem bottles of Gin. Night a blur. Wish I could have talked to more of them, longer. Words all black-marketed moons. I mean to say, went/bent/went to a reading all Vouched-like, all hot glass tire service center, all sweet walking odor of tire, all sun off the windows like Ljosvallagata, all electronic sun, all Jesus Angel Garcia (dude’s on a huge-ass reading tour) rocking the Mr. Microphone, all words like fat slaps of friction,

[me and Jesus]

all religious comment on religion and shit, all barbaric sexual yawp, all Roxane Gay (she read a major glow story about anorexia bulimic fucking, etc.), words all oil barrels of light, all flickering halos, all FREE BEER, all free fucking IPA (thanks, Flat 12, I will be down there for some growlers soon), all Barry Graham (Monica Lewinsky crush), all Dogzplot in the house, all French fries and shards of hope, all trash fires of the pelvis, all words in ravines, words flying in the air like typhoids of sunlight, all grinding sunlight, all Matt Mullins (wicked poem here), all shadows and saw-blades, all

[Matt Mullins dropping words]

corned beef lickings of words, all Steve Himmer (we discussed garden gnomes and also I bought his book--I can tell it’s going to kick serious ass), all serpents and hermits, all  Micah Ling (She is not Asian or a man. She is a runner!–see you at a race maybe?), all word filets of crunchy telescopes, all FREE Lit Pub T-shirt, all Laura Adamczyk (interview here), all Jim Walker (Cool guy. I met him at the last Vouched reading.), all John Clark, all Jessica Dyer (uterus as muse?)

Let me tell you about the rat I keep in my uterus. He stores cotton balls, faux feathers, and little pink beads in me to make the perfect nest. I use these in my crafts. My uterus is squishy, and he has a fun time in there bouncing around and sometimes I have to bang on my belly to make him stop. It tickles but is awkward in public. He is quickened by cinnamon, and plays tricks on all my sphincters. I call him my pocket protector. In the mornings there are little rat marks on my thighs; somehow he gets out, but I always let him come home to my beaded plush cave. I would let you pet him, but he has claws and a tail like a real baby, even little milk teeth!

all Kevin McKelvey (I got this in-touch-with-the-earth feel. I guess I’m saying I’d like to fish and/or canoe with the guy.), all words as parachutes of mud, as echoes of golden barbed wire, all Layne Ransom (hell yes CHICKLITZ!),

[Layne all literary]

all Bryan Furuness (Bryan read an amazing piece about tubes, life as, etc.), all that’s a shit-load of readers at one reading but it did glow. I then went to a bar and ate fried green beans.

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Meg Pokrass with glow interview of Dan Choan.

How do you stay creative? What are your tricks to get “unstuck?”

Here’s one trick:  get really drunk or stoned and fall asleep weeping on your keyboard.  When you wake up,  magical elves will have come in the night and turned your bitter tears into words and paragraphs,  just like they made shoes for that shoemaker.

Actually, that doesn’t work most of the time, but I keep trying it.

Another trick,  this one somewhat less self-destructive,  was suggested to me by a teacher,  and has worked on occasion:  Make a list of 40-50 things that could potentially happen next in your story.  Don’t worry if they are boring,  or improbable,  or stupid.  Just make a list as quickly as possible.  Then take 5-10 of them,  and write one or two paragraphs for each one.   Somewhere in this process,  you are going to get unstuck.

Otherwise, I need to put the piece aside and start something new. I’ve never been at a loss for new material,  for whatever reason.  It’s never a problem to start something — finishing is always an issue.

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Speaking of Meg Pokrass, her flash fiction continues to blend my bones silver. To make me actually glow. This, from elimae, the opening of “Albino.”

I deserved an ample scolding. I watched the sunset with an albino. We went to a thrift store, and joked about trying on hats and getting lice. “Miami Lice,” he said. Was he safe? I hoped not. Was it scummy and frivolous to hang out? My birthstone was emerald, I told him, and his chlorinated eyes said, “Well, that makes you not-simpleminded.” We both laughed. An albino laugh. Watery veins stood out and his forehead looked like a stolen woodpile.

*

Cathy Day blogs about Midnight in Paris. I am not going to read her post entirely because I am going to see the movie this week. Then I will read her post. Also I will tell you what I think. My thoughts now? Woody Allen used to make amazing, thoughtful, layered films. Then for a long, long time he made mediocre films. They depressed me with their earnest mediocrity. It made me sad. It made me feel like I was watching an aging Muhammad Ali get his ass kicked at the end of his career. I can’t watch that type of film, not from a genius like Allen. So. I am hoping. Hoping this film glows.

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I am thinking about running the Big Sur (a haven for writers) marathon. California. Ander Monson already signed up! I must join him! Shit. Well. OK. Thanks, Ander.

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Amie Barrodale story at The Paris Review. It has sex AND drugs. I mean what do you want?

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Joyelle McSweeney on Herzog and the Sublime. Wow. I think McSweeney is one of our most perceptive, intelligent writers. I pretty much will read anything she writes, as should you. I’d also like to add that Montevidayo is one ugly-ass blog site. I mean the design is clunky as hell. They might also want to hire a copy-editor. I’ve never seen such consistent misspelling errors. But I like the site. Trying to be constructive. Anyway, all that is their own business. The content is consistently good.

But this solipsistic notion—that man is the measure of man- is itself a loop, a folding, a self-saturation that begins to gesture at the hyperbolic over-saturation and collapse of humanist project or portrait in Herzog’s films, yielding something so irrational, beautiful, terrible, and certainly out of control that it is less like a portrait of a man and more like an inundation with the Sublime.

*

*

I went to New York City and took many,many subway stops and walked, walked, walked, and found some nachos. These are grilled zuchinni and black bean and three cheeses. A solid 7.23 on THE LOVELACE SCALE OF GLOW NACHOS.They came from El Camion. Nacho review here.

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Peter Tieryas Liu brings it over at decomP. What I like here is the language, how he knows us flash writers must–must!!–understand the way of the poet, the Word.

I experience four cyclical deaths every day; lavatory, office politics, televised Internet, and dreamless sleep.

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[I swear to gods my book is cheesy. Order it here. ]

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A letter from Mary Hamilton.

Dear Wigleaf,

I noticed today that one leg is longer than the other. That’s a lie. It’s more like I am unevenly distributed. One knee is placed higher than the other. One calf is slightly bigger. One shoulder is lower. One boob is larger. My right ear is smaller and set farther back than my left ear. One eyebrow is shorter and thicker. My left eye is basically sitting on my temple. My belly button is not centrally placed. Don’t even get me started on my elbows.

The walls of my apartment are crooked, making measurements for an aspired-to new couch difficult.

I think you should know that I’ve grown three inches since high school and all of it is in my left forearm making pancake flipping a difficult balance.

Stay cool,
Mary

They Could No Longer Contain this Fucking Book Launch!

I went to Chicago to launch this fucking book, to read at the Beauty Bar, a bar that offers manicures and pastel walls and martinis but i had vodka and Oberon and then later Oberon and a quaff of Guinness so to speak, a dark, swirly, cloudy quaff so to speak, i cut my right index finger (and there blossomed blood) while opening a Fat Tire in my hotel room, as i ate a light dinner of Pepperjack cheese, French bread, an orange, and a tall, brown bottle of Fat Tire in my hotel room so to speak, this modern curves and colors hotel room in the winding spires and steel monoliths of downtown Chicago, the hacking and the coughing and the scissor-running streets, and my hunger forced me into the scissor-running streets where i was intimidated by the choices and the bustle and the sheer majesty/monstrosity of the place, and so i found a quaint local market and I handed my 8 dollars to a beautiful young lady (most of the young ladies of Chicago are stunningly beautiful) and she said, “Wrong side” like I suppose I handed the 8 dollars to the left of the cashier machine and so then I corrected and handed the 8 dollars to the right of the machine and the beautiful young lady gave me change and so I bought bread, cheese, an orange, a tall, hefty Fat Tire and went back to my room like some animal, like some scratching, burrowing animal so to speak, and i lay out my parcels, my freshly baked bread, my tightly sealed block of Pepperjack cheese, my wonderfully pebbly and fragrant orange, and this sweating bottle of Fat Tire and i had no opener or spoon or fork so ate with my bare hands, tearing ragged chunks of bread, ripping off crumbly crags of cheese, and opened the beer with the edge of a car key (i often carry car keys) and the key blade slipped and cut open my right index finger, as i have said. And so i bled.

People dig this fucking book, they do. The Chapbook Review goes all:

The overall wonder of this plump little gem is that there is no jockeying for space, no jostling of elbows, no stepping on toes. Yes, five authors have colored these pages with volumes of desire, longing, humor, loneliness, heartache, wit and desperation; and yes, the stories are often larger than the page, larger than the space allotted in our chests to breathe them in, but. Each individual voice is heard. Each story is a concrete, complete thing that connects with the others in the most honest and organic way. There is no point where the smoke of one story shapes itself lazily into the haze of another. These five voices are distinct, definitive, and each story smarts with such pin-prick execution you’ll be surprised not to find blood on the page.

Tim Jones-Yelvington in the house! I have always wanted to meet, read with Tim Jones Yelvington because I enjoy his work (here, here, here) and I have seen his musings and revolution and advocacy and words on The Google but to have a meeting or reading or word association on The Google is naturally not the same as seeing someone in person, not the same at all no matter how much of this world is becoming an attempt to convince us all otherwise, this calculated devouring world, the devouring bit-by-bit of my mind, of my sense of self, on The Google, also anyway as I was saying Tim Jones-Yelvington is the type of person to talk with you while wearing a doll attached to his forehead and I need more people like this is my life, my daily meaningless life so to speak, to read with and to talk with while they wear dolls affixed to their heads and also naturally to write with as we launch this fucking book, this book, talked about, people do talk about this book, for example, Outside Writers Collective and Press:

This collection of five flash chapbooks from five different authors (the four finalists from the fourth short short chapbook contest and the winner from the third) is as inspiring as it is moving, sad, funny, challenging. It’s basically everything you’d ever want from the written word, and it comes in such a damn tight package that, well, it’s wonderful.

Time-Out Chicago does it all:

So let it be said that the authors here know what they’re doing. Jodzio’s book, Do Not Touch Me Now Not Ever, leads off the collection with an infectious sense of humor, featured in stories like “Octane,” in which a woman thinks a warlock has cast a spell on her because a pony-tailed man smiles at her. Miller—whose Big World is a personal favorite—delivers Paper and Tassels, another clinic on how to pack character work, pathos and even plot into 250 words. And Lovelace’s How Some People Like Their Eggs, originally published on its own, gets a worthy reprint here. Colen is the most restrained writer included here, and Jones-Yelvington provides a slightly punch-drunk counterpoint.

Word. And then I got to meet John Jodzio at the reading, John Jodzio who I did not know, had not seen, had slightly read (here, here, here), and so I was wondering, Who is this John Jodzio? and then he gets up there, on that stage at the Beauty Bar, and he’s reading, reading rather well, and then he starts gearing up and killing it, killing because he’s very funny, very, very, funny, and I now have a new favorite funniest-writer-that-I-actually-know (the prior one was Peter Davis, a very funny man)

POEM ADDRESSING MY PAST, CURRENT AND FUTURE STUDENTS WHO ARE SUFFICIENTLY INTERESTED IN OUR CLASS ENOUGH TO CHECK OUT MY WORK

I hope you learn something from this poem and the powerful, mystical way it concludes!

and what a surprise, a surprising way to live life, where you show up in Chicago and all the taxis honking and scurrying about and the Beauty Bar vodka rolling through your veins and to read with fellow flash writers and stumble right into a new funniest-writer-that-I-actually-know, John Jodzio, a man whose words fill the room and ceiling like glittering mechanical horseflies, giant, cartwheeling, glowing, blinking horseflies that sting and buzz and sting again, who will read about hookers and chili and fog machines, all of this while gradually unclothed, with various “messages” written across his chest (he later said this was a pain in the ass to remove)

and this possibly brings me to a point of this post, a comment on what I consider the “best” type of reading, and an example was seen and heard and felt here during this launch of They Could No Longer Contain Themselves (most would or should go TCNLCT by now, just for the sake of brevity), the very thing I have argued with about with writer and internet and occasional “real-time” or “actually having a beer” friend Blake Butler, the idea of readings working best with HUMOR or SEX or something titillating along those lines and here we had myself reading with humor and sex and Tim Jones-Yelvington reading with humor and sex and John Jodzio one of the funniest reading of words men on this planet, I mean that I have heard read so to speak, I mean a true humor, not a cleverness or simple guffaw, but a human laughter of light and pain and mechanical horseflies, etc., and so all three of us (and also Davis Schneiderman–a dynamo of a man I am happy to have met; and Kathleen Rooney, a glow-force reading the other TCNLCT flash authors not in attendance) screaming out humor and sex, a sort of laboratory exercise in my theory, though with an understanding and respect by me of Blake’s point, Blake saying, I think, don’t write down to an audience so to speak, or read down, don’t go for laughs or sex when you could bring the audience higher, up to words and themes and areas of language much more involved and layered and so on, and I get that, I get that, but I also attend many, many readings and laughter releases endorphins as does various ideas of sex, and these things are not mutually exclusive, and truly funny is actually very hard and takes someone higher, as true humor has subtext, as true humor is really a recognition of our absurd existence, namely that we were born on this planet to die, and anyway I mean to say the audience was howling and the vodka was howling away, and then a hip hop artist showed up later and he really didn’t have much flow, not a great deal of flow, so we moved to another bar and someone sang musicals very loud and very well, and I took a taxi to the hotel eventually though I don’t remember the ride back, the swirling black ride back, a swirling black tornado that emitted from my eyes and head, a tornado with shimmering silver dots within, and possibly edges of purple, as is my way.

Audience enjoying humor. (James Tadd Adcox was there–good to see you again! Good to quaff many beers!)

Audience enjoying sex.

Before leaving Chicago, I walked down to the majestic/monstrous lobby of my hotel and found an empty table and chair. On the table, I placed a review copy of my new book, Fog Gorgeous Stag. Inside I wrote:

TO SIR OR MADAM

IF YOU HATE THIS BOOK, I AM SORRY. I SUPPOSE.

I then signed the book, walked away, and drove home.

Exploding treadmills doing what you love coffee clacking

The Lit Pub is up and running. Like a crackling yarn crane of goodness. Fly! Fly! Check out this exciting project. It will make you want to consolidate a garden of stars. It’s got Molly Gaudry. She kicks ass. It’s got Chris Newgent. He kicks ass. You know it’s going to be glow. These people mean bizness! I mean to say: buy some books, people. One of the best way to support this whole scene is to buy some freaking books.

But what exactly is Lit Pub?

Good question. So. HTML GIANT does an interview here:

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I’m all serious and presidential and shit and gonna drink this beer all presidential going to drink this beer all presidential and Michelle be drinking this beer and working out later on the treadmill and everyone shut the fuck up while I down this wonderful beer in this authentic for once Irish pub. [Damn, I do love Guinness. Good choice, sir. And you look better than some:]

Oh lookie a shot of whiskey…oh my oh my.

PARRRTTTTTYYYYYYY…

[I thought you quit drinking.]

[I hate people who drink through their foreheads. I knew this one young lady drank whiskey through her feet, the soles. I had a sister tried to drink gin through that little cabinet above the refrigerator. Dusty bottle of cabinet gin. Never works. So I removed that gin and hurried away. In the mouth! In the mouth, Nixon.]

(BTW, here in a medical study about three desperate lads who decided to INJECT vodka into their veins.)

When questioned about intravenous injection of alcohol, he said that he had been using this method for 10 years until 1 year before admission. He injected mainly vodka with a frequency of four times per week. His main reasons for injecting were the rapid effect and enjoyment of the needle, particularly when heroin was not available. He described the only side-effect as redness and a burning pain at the site of injection.

[Style. That's why we voted for the man. That little kid is rocking a cool relax pose, too.]

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Oh, fuck Twitter.

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Have you checked out ChickLitz? Literary blog, yo. Go.

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Oh, glow Amy Schreibman Walter. She wrote this poem that is sort of/kind of a Dorothy Parker mashup. Made me all worm-riddled with happy. Me like. Read it at elimae.

*

Pissed off I am. So I channeled that into my visual art. This image below is a piece of art work. I used a technical piece of optical equipment, a device called an iPhone. I pressed something called the camera icon button. VEry technical stuff. I used a technique called juxtaposition, like when you see a beautiful woman but she is driving a blue scooter on the highway shoulder and she runs over a crow eating French fries.  The the sun cries. I call this print MY FUCKING TREADMILL LIFT MOTOR EXPLODED AGAIN BUT AT LEAST I AM IN THIS BADASS BOOK OF FLASH FICTION AUTHORS.

So, the bad news is I had to run outside in the mid-80s temperatures, full sunlight, did a little Fartlek X 20 bursts, a 5 miles deal of sweat and red knees and legs rubbery like a window sealant when I was 12. Etc. There is a difference between running on a treadmill and running outside (wind resistance, foot push-off), so I always elevate the grade on my treadmill when training. I’m giving you a tip here. Go at least 1 %. I yawned a bit after the workout, a signifier of a good run.

So the bad news is I need another fucking lift motor and this IS MY FOURTH LIFT MOTOR!!

Helloooooooooooooooooooooooooooooooooooooooooooooooooo. I dropped some pretty serious $$$$$$ bread, bullion, mazumah, cabbage, chicken feed, coin, coinage, dinero, dough, funds, bucks, green stuff, legal tender, skins, ready assets, refund, riches, , wampum, wherewithal on this treadmill, I mean this is no Sears bullshit, etc., this not yo mamma’s treadmill, this is like the treadmill bought for clubs, for health clubs (Think about the difference. A home treadmill is for hanging your underwear on. A club treadmill has a bear engine, for people to run on 24 hours, to stagger all over, etc.) and sure it’s been years I have owned the thing, and everything falls apart, we are all falling apart, oh my, oh my, but FOUR lift motors?

The good news is They Could No Longer Contain Themselves: A Collection of Five Flash Chapbooks By Elizabeth J. Colen, John Jodzio, Tim Jones-Yelvington, Sean Lovelace, and Mary Miller!

The buzz is starting. Good. I just want to honestly say how privileged I feel to be in a book with these flash authors. My mind is a piano paw. I glow. Look:

Already reviewed here.

Already on the Small Press Distribution Best Seller list!

Buy it, people.

*

I just played a metric ton of disc golf in Peoria. Don’t even flutter that link unless you love the game, unless you know its perfect fits and dark carpets of joy.

*

I am stoked about Tyler Gobble and Stoked Press. They have a call for submissions, so, you know, submit. Now.

*

I write some more Velveeta over at Robert Lopez. Cheese. I intend to write only about Velveeta until 2012.

*

New Hobart has a Julia Wertz interview. Who is Julia Wertz? I didn’t know. I don’t even like these type of comic things. OK, I’m warming up a little, but really, I’ve read two graphic novels. So. Started reading and surfing and checking out her Web Comic blog thing. I like it. I like her stuff. Might get her book.

Here’s a sample. Funny. And that’s not an offhanded comment. Tough to be funny. It shows intelligence, perception, and understanding of narrative structure. So, hey, respect.

The only annoying thing is her disclaimer, something like EVENTS NOT RELATED TO MY CURRENT LIFE…etc. Why would she put a disclaimer next to her creative work? Like the readers are idiots. Or she is too sensitive? Maybe some things happened and she wants the Internet freaks to LEAVE HER ALONE. I get that. Internet freaks are the worst. I have stopped reading COMMENTs on news articles or at Youtube because they make me depressed about humanity. So maybe she ran into someone so concrete they think her graphic artwork is somewhere they could go find a drink? And why would anyone care if her comics are/are not about her actual current life? I don’t get that one. Maybe this is the world we live in. Even if it is autobiographical, you have to tell a reader that your life has changed, that you have changed, that you are capturing a period of time? That makes me sad.  I mean it’s a cartoon, right? A cartoon needs a disclaimer? But I digress.

Saying all that, I think I’ll buy the book.

*

The Atlantic has a glow series examining the creative process of many artists, from T.C. Boyle to Chuck Close to Tim Burton to Frank Gehry to all types of designers, chefs, directors, writers, seers of artistic visions. It’s interesting how these “geniuses” work, their processes so different and then often the same. Grinding it out, for example:

Samples:

With me, if it’s a good idea and I don’t have it right, I stay with it. You have to be patient, just keep erasing what you don’t like. At a certain point it becomes alive, and you know the problems are solvable with solutions you may have used before. That’s my songwriting process.

Paul Simon

The system seems totally mechanical and so systematized, but in fact the thing about limitations like these is that they free you to be more spontaneous and intuitive. The painting is always in a state of flux. It’s a process well–suited to me, because I’m a nervous wreck. I’m a slob. I have a short attention span.

Chuck Close

*

Here is a photo of Brian Oliu eating nachos. He has a book out! Get this book! You know Brian has  a name no one can pronounce and he likes satiny 1980s jackets and 1980s video games and this book is made of lyrical essays composed as Craig’s List missed connections so hell yes.

One time I was in Alabama at this diner and Brian showed up and I said, “Brian, eat a fried pickle.” And he said, “OK.” And he ate a fried pickle. True story.

*

You do know about Bat Segundo show, right? Best radio author interviews around. Check them out.

Correspondent:It’s an unsuccessful story. Should history really be in the business of remembering the losers?

Hochschild: Well, first of all, for me, as a writer, it was a challenge to see if I could write a narratively interesting and emotionally meaningful story about a movement that failed. My last book was about the anti-slavery movement in the British Empire. That was a successful movement. Slavery did come to an end. These people failed to stop the First World War. But I still find them very, very much writing about. Because it takes a special kind of courage and nobility to go against patriotic madness that’s in the air. And very often, a movement like this, it doesn’t succeed the first time. We still haven’t stopped war today. We’re caught up in at least two necessary wars, in my view, in the United States right now. I would like to see people who opposed those wars take some inspiration from these earlier folks. Even though they failed.

*

A lot of buzz for Lidia Yuknavitch’s  new memoir, The Chronology of Water. I really enjoyed this review by Amy McDaniel, mostly because McDaniel wades into the novel/memoir civil war. Good mind, good words, Amy.

*

the same third of a meat-can at dusk.

Meat-can indeed, sir. It’s about time everyone understand Matt Bell is a meat-can of badass. Thanks for this flash, Matt.

S

Indy Mini-Marathon!!

The poet Mark Neely and I ran the Indy Mini-Marathon? Why?

1. Because Mark and I are writers and teachers of writing, and if we don’t do something physical when not doing something writing-related, we will lose our freaking skulls. Hemingway had fishing. Tennessee Williams had swimming. Edna St. Vincent Millay liked to dance on tables and the spleens of men. Etc.

You live in the brain long enough and you will die in the brain. Writers need to DO SOMETHING physical, I feel.

Many writers find cutting the yard as satisfactory. Not to mention shooting bows. Some writers throw things at walls, like ashtrays or hurtful words, or will marry and un-marry repeatedly. Years ago, I knew this one poet who was always purchasing alligators or egrets. Just purchasing them, you know, daily. So you see my point.

[A woman known for exercise]

2. Because we get to run around the actual Indy 500 speedway! Glow.

3. Because the name of the race is stupid. Running 13.1 miles is not a “mini-marathon.”

4. Because it is Mark’s inaugural half-marathon, and he’s not playing around. The man picks the real thing, a BIG one. How big?

5. Because this race is the largest half marathon in these United States.

35,000 runners! (Another 5,000 ran the 5K, but who would want to run the 5K at an event like this? I always feel low running the 1/2 at actual marathons, but running the 5K at such an extravaganza? OK, OK, I know I should be happy anyone is running anything, and usually I am. But here? I’m sorry, I’d be slinking.)

That’s 700,000 water cups!

4,000 volunteers! (Thank you vastly, volunteers! This was easily one of the most organized races I have ever run. Very impressive, and the volunteers were a big part. Kind, timely, encouraging, professional.)

38,500 bananas!

And 60 kegs of beer. (Thank you vastly kegs of beers. Kind, timely, encouraging, professional.)

[Here are some other fun facts, if interested.]

Wait, wait, back up. Before you go to the race, you must clutch and keep the EXPO. You get your race number, pick up some swag, go naked or costumed, maybe see a few pro runners. And who do we meet at the expo? A true legend. The last U.S. man to win gold in the Olympics. The man who is generally known to have started the running boom in this country.

Frank Shorter!!!!

OK, Sean don’t hyperventilate. Heart going all modem. Head whoosh-whoosh. Just say hi. Don’t have a seizure….Don’t pratfall. Don’t do magic tricks. Don’t bark. Don’t reveal your inner life. Don’t tooth, claw, feather, or bone. Don’t vomit on the man.

Yep, that’s me with Frank Shorter. Pretty much my race couldn’t get any better now. Mr. Shorter was gracious and kind and cool. I mean the guy had class. He’s standing there talking to an idiot (me) about MY race, engaging me in conversation, when really shouldn’t we be focusing on him? Very impressive person. Exponential glow.

Mark and I both had Mr. Shorter sign our race bibs. Then I headed home for a pre-race meal: Couple beers and a fat plate of nachos.

[Homemade nachos will make you run like a deep kiss or spiral staircase]

Try to sleep. Can’t sleep too well. Cat keeps pacing around the house mewing after another cat that died recently, so it’s like we have ghost-cats in the house or some shit. Mew. Meeeewwwwwwwww. Creepy. Oh well. I have a dream I am a music box strapped atop a race car that is leaping over a river of gleaming pink taffy. Is this a sign?

Get up early. Wrestle a banana. Drink some Powerade Zero. Wait for Mark to arrive at house. Mark is here! We are ready to run!

So, hey, let’s run:

Parking is organized. Gear-check is organized. Starting line is organized (catching a theme here?). I mean this is 40,000 runners! This race could teach other races a thing or two about logistics. Perfect day. In the 50s. I pack my fancy new iPhone holder with iPhone, car key. I bought this at the EXPO and it’s the best I’ve seen, also waterproof:

[ifitness]

Important question: Sports Beans or gels?I don’t have a huge opinion. Both will do the job, and warning: both can upset your stomach. But you are going to train with a product before you actually race with it, right? Right. Don’t be an amateur. So, my preference: gels. Why? Sports Beans are too damn chewy! I’m trying to run a damn race here, not gnash my way through leather goods. Gels go down smoother. Both will need water. So there. Pop a gel, I say. Pop a gel, about mile 9.

(I did go Sports Beans at the St Louis Marathon a few weeks ago, so this might have turned me against. The St Louis marathon was 86 degrees, full sunlight, Sirocco winds, hilly–absolute hell. The conditions were so bad they had to STOP THE RACE. They couldn’t catch me, though. I did finish, but barely [3:23]. I was then violently ill for hours. Violently ill. I do not want to revisit in any way the St. Louis fiasco.)

Despite an early start for the race, runners began to collapse in the heat.

fun times…

So I load a few gels, Mark goes with beans, and we walk towards the START. Beautiful runners everywhere. Runners stretching, runners warming up. I think runners, especially in running gear, are generally attractive. Then again I am biased. Smell of sweat and nerves. Time for us to load into our STARTING CORRALS; they have them alphabetically A-Z.

I am in corral A because I can run fast once in a while.

Mark is in E, very respectable starting position for a first time half-marathon. I know Mark must feel nervous now, but I am not. He did his training, so I know he’ll be fine. He will find out there are advantages and disadvantages to a corral system. For me, it’s fine. I mean I am actually at the START line, so no problems with crowds or flow or whatnot. For him, it could get congested.

Helicopters humming. Loud music.A man over the speaker says DO NOT OPEN GELS ON THE INDY TRACK.

Um, OK. They don’t want any gel packaging in the Indy 500 track. Maybe a race car would slip in the slimy? Odd.

More nerves, adrenaline fumes odor, runners hopping, flexing around–this tension I love. We are all about to DO SOMETHING, apart yes, but together. I look around at all these strangers, but I know them. We share a vocabulary–fartlek, VO2, Frank Shorter–and we know the secret burn and sweetness of pain. We know to be more careful on the downhills than the uphills. We know how to loosen the jaw, how to hold an egg in our curled fingers. We know that homework must be done, and if it isn’t done, the truth will out today; and if it is done, the truth will out today, and either way, we are about to finally, finally be involved in a human system, where for good or bad or ugly, we are going to get what we DESERVE.

The START, excellent. Since the Bin Laden killing, I was afraid they might go over the top with the patriotic thing, but it was fine: quick national anthem, a few soldiers singing, crank up some dance music, some lady says, “Runners, start your engines” and then the spectators all counted down from 10, 9, 8, 7…3, 2, 1. And we were off!

Mile 1: OK. Get into pace. Adrenaline. Christians on speakers trying to tell us something. Cheering, yelling. Some sort of anti-slavery people marching in a line? Like a small little protest. Some dude in his underwear. OK. Lots of people waving and shouting; they line the street. Lots of signs:

YOU CAN DO IT!!!

GO MIKEY!

THE PAIN YOU FEEL IS WEAKNESS LEAVING THE BODY.

BETSY WE ARE PROUD OF YOU (AND SO IS GROVER) TAKE A DUMP IN YOUR PANTS IF YOU NEED TO

I hope I am miles away from Betsy when she takes that dump in her pants. Head-wind. Bridges. I generally like bridges. Flooded White river. I hope Memphis is OK. I like Memphis. Mind sort of wandering, pleasurably soaking in the event.

Mile 2: Just cruising now. Just all groove.  A lot of the guy runners are taking off their shirts and gloves and hats and throwing them into the air. Guys always do this at long races. They wear too many layers and then, as they warm up, they toss away their clothing. You can see their joy–to just throw perfectly good clothing aside, like to say, I’m running here, I’m an animal, fuck that clothing. I rarely see women do this. They plan better, somehow. They wear the correct amount of clothing and so don’t need this odd display of clothing-toss. I think.

At this point, Mark is learning the downside of the Corral system. He’s trapped in a MASS of humanity and is having trouble running his own race, his own pace. He can’t get past thousands of runners. As a result, his first two miles will be slower than he wants, and he’ll have to compensate by running fast once the course opens up and the runners fan out…Not the optimum way to pace a race.

Miles 3-5: Oh no, dead legs, the St Louis hangover. I expected it–the marathon wasn’t that long ago, but still. I don’t want to have flip-flop legs this early. Oh well, fuck it. Shake out my arms, relax. I just focus on my pace (running about 6:20 miles) and enjoy the run. Look at all the bands! Rock bands and ska bands and folk bands and Christian bands and heavy metal teenagers bands. Thank you, musicians! It does help us runners. And also some of you look funny. That makes me happy to see you looking so funny.

Mile 6: Catching a little second wind here. That happens, thankfully. It’s ups and down, these longer races. My legs are getting their spring back. Feeling all Eugene, all jars of boingy. There is butterfly in my shin. Break my name, break my name. Not sure what that means. Mind wandering again…What is that gigantic concrete oval?? Yes, yes, it is the INDY 500 track! I’m not a car racing fan, but I recognize the historic. In a word, to run a lap here is cool.

Miles 6.5-8.5 ON THE TRACK!

I must be inspired. I get into a groove on the track. I’m floating a bit. Could be the location. Could be the hundreds of cheerleaders, some in bikinis. Could be all the race cars parked on the oval. Could be Frank Shorter who is here at the track, working the race for television. Could be I’m just fit right now and running in a nice flow.

Mile 10-11: Grinding a bit. A living room coach on my forehead. The elation I felt at the track now wearing away…legs feeling a bit dead again. Grinding, but that’s OK. That’s what I’m here for, to feel pain, and to know that pain IS NOT suffering. You can take pain and ride it, take pain and gather it into a force, to push you along. I’ve done it many times. And here I do it again…

Mile 12: The race is psychological now. You got this, is what I’m saying to myself. Grind, grind…You got this.

They are playing INDY 500 tape loops of close finishes over a giant loudspeaker. Excited announcers and engines roaring. The streets are lined with cheering fans! Checkered flags are waving. Grind, grind, bring it home!

FINISH!!

1:24:37.

I’ll take it. And why am I being given two medals? That has never happened. You get one medal per race. Why? Because I am now a proud member of the 500 club. The first 500 finishers get a special medal and inducted into the club. OK. OK, I didn’t know that. SWEET. I feel like a gazelle made of Velveeta now. I’m smiling.

Hey. Where is the beer tent? Oh, there it is. You know, Michelob Ultra isn’t that good of a beer, but after you run a long race, Michelob Ultra is a VERY VERY GOOD BEER.

Mark finishes in 1:47:02. Wow. Pretty damn awesome for a first time half-marathoner!


It,

we did!

Since being in Indiana, I’ve heard a lot of hype about this race. It’s all true. Amazing, well-done, professional. A great race. End of story.

GLOW

The Could No Longer Contain Themselves

Elizabeth J. Colen

John Jodzio

Tim Jones-Yelvington

Mary Miller


Me!

Buy it here!

Sean Lovelace reviews Jason Bredle

THE COVER:

It was the cover made me want to buy the book, not those claptraps at HTML Giant who kept kicking the book around like a tennis ball, bop to bop, fleckled blows of ass, etc. Usually it is HTML. I $$ a lot of books because I read about them on HTML. It’s a fucking sickness. I like HTML, to read it. I do. Sometimes I write there, but it isn’t so good. Later tonight I will drink 8 beers.

But here, now today, I dug the cover, a kid vomiting. Look at that kid vomit. BLAAGGHHH. Ha, ha. And then one day, a while ago, maybe like that awful, awful February,  I “go to see a man about a dog” and this man tells me, “That kid ain’t vomiting. He’s bobbing apples.”

Well, shit. People, pay attention. This is a lesson. Things are not what they seem.

A man walked in and ate 48 tacos

-

What was he talking about?

What do I talk about?

A kid bobbing apples. In Ireland they call it “snap apples,” which sounds sort of sexual, to me.

A medium apple is about 80 calories.

A medium car is a funny thought.

World’s top apple producers are China, United States, Turkey, Poland and Italy.

When an apple is sliced in half the seeds form a pentagram, motherfuckers! AHHHHHHHHHHH

It’s all satanic. And Pagan. And maybe Roman.

Rome invades up in your land and always brings an apple tree. These Romans, they surround things or like your soul, etc. and they say, “Hey, eat this apple or I’m going to eat you.” And so you eat the apple, but that’s not humiliating enough. I mean it gets bored watching people eat apples. I think. So they toss the apples in a pig trough or cesspool or whatnot and say, “Git them apples out that, with your teeth!”

Oh, the hilarity. And, you know, you’re in that position there, kneeling, very easy for a Roman to lop your dern head right off.

So, yeh, you bob the apple. So these people look ‘vintage’ to me and possibly you could buy a poem at a Salvation Army.

Eons pass like gas.

The popularity of bobbing apples has waned because we are a bunch of sissy people, squeamish people, sad, sad people who can’t even change our own oil and think bugs are “gross” without any real examination of the thought and we hate snakes (Sweet DH Lawrence poem here) and don’t like spit/saliva near buckets of water with someone’s head and hair all in that–In a word, it’s NASTY to bob apples.

That is obvious.

Bob them apples, then an orgy!

An orgy will never save a relationship,
it can only enhance an already meaningful relationship
is a sentence I hope to use someday, either to console a friend
who considers taking his wife to an orgy
a way of saving his failing marriage
or to convince the person I love
that our relationship
is so meaningful that to participate in an orgy
would only enhance what we already have.
It would! It so really would!
Justin’s situation is completely different!
They’re unhappy and doomed to divorce but us,
us! Look at us!

Let’s talk theme: kid don’t even want to bob the apple. You make him bob the apple, he has no idea why. Now he’s all wet-faced and wet-clothed and newspaper dye on his hands and for what? A fucking apple. Dad shaves his head and Mom makes him wear the CANDY CANE SHIRT. It’s one of those things adults lead kids into, those shirts, this apple bobbing like a damn DRINKING BIRD, and that is why Jason Bredle approves this cover. It represents Bredle’s epigrammatic observations of our daily plunge. We adults are kids and kids as adults some and we are bobbing for something real in this watery existence, floaty existence, don’t know what we are doing on our knees with our heads down in the water with our heads bobbing for some goal we can’t grasp, can’t understand, can’t know what we are doing or why, and what if we do get this thing–what? It’s a fucking existential apple? Oh, I am talking theme now. I am slobbering water and shaking my wet head like a dog. Let’s move on to the THE PRESS.

THE PRESS:

You know I glow Magic Helicopter. Hell, they put out Daniel Bailey’s DRUNK SONNETS.

[My interview with Daniel where I ask this pertinent question: Several students at BSU (where you were recently a student, and I am now a prof) told me you worshiped Satan. It seems to be an English dept rumor among the undergrads. Is that true? If so, how does your Satanism affect your writing, if at all?]

Aren’t helicopters already magical?

THE TITLE AND THE NAME:

The title of SMILES OF THE UNSTOPPABLE is too large. It fucks with the vomit apple kid. That makes me sad. Next edition, move that title out of there, folks. The greater glory is the vomit boy.

The name JASON BREDLE is OK, because (though clearly too large, not occluding the vomit apple boy child).

Odd sentence I just wrote there. Odd, odd. The punctuation is offensive.

Did I ask you to ask me what I thought the title meant? Why don’t you ask me what other things mean? For example, a decaying laugh or an invisible touch or a dappled odor of cheese or a growling sky or a red soda bottle rolling on granite or a wet footprint or a sexual tension in an elevator or an old, old, crippled rainfall of jelly beans or swimming from Paraguay to Mexico or a Velveeta sunrise or a river, just a river rolling by, the way it suffers and rejoices, the extreme ellipticisms of water or many brandies, many, many alcoholic forgettings, stitched together in light and ripples and Smiles of the Unstoppable or thoughts and potato pebbles and kisses and cackles at our Boston Harbors, our antiseptic lives we don’t understand why clean or dirty or in-between slobbering bobbing apples so much we vomit.

In other words: shut the fuck up.

DOES BREDLE HAVE POEMS ONLINE I COULD SAMPLE BEFORE I MAKE THE BIG DECISION, THE OH MY GOD DECISION TO BUY THIS BOOK IN THIS TIME OF DEPRESSION AND STRIFE AND ALSO I WONDER WHY WE WERE EVER PLACED ON THIS EARTH?


What are you, stupid?

What are you, stupid?

What are you, stupid?

What are you, stupid?

What are you, stupid?

and so on.

THE FIRST POEM:

We will now examine the first poem of the collection! Attention, lovers of first poems, those that love poems, those that love, physically love, grasp and choke and thrust, physically make love to, love the idea or ideas shall we say of first poems, of the long vowels and nasal coughs of first poems, the doubts and ambivalences, the dips and uprisings and bathtubs, the evoked idioms and slaughtered idiots, the implied desideratum of these first, very first poems, their firstly way, the happy accidents of impeccably varied or possibly even nonexistent meters, meter maids, chicken thighs, or shall we say heart beats or even:

…something you once wrote on a piece of paper

and tore into smaller pieces

and threw from the observation deck of a tall building…

And Excuse me. Let’s move on. Tidy? No. Titty? No. Title. Title? Yes:

RED SODA

Sticky, frothy, bubbly, fizzy, fucked–we dive right in. Ah, RED SODA, the thing, the taste, the opening poem.

Red Soda tends to stain.

Calories 100, carbs 25.

Communications, missed communications, attempts at love, shredded. Flailing or litter. In many ways, Bredle’s book as centrifuged Chekhov, a close examination of our inabilities to truly communicate, to be together and be alone, to nod our heads while we misunderstand. Bredle opening his book and stating here, here are shreds of torn paper I am tossing into the windly ways and I hope you find one, I hope you find one and glow that shred, that little code or puff of smoke or word, and I hope it says something, but if it doesn’t say something I tried. The people here try. They are not sure why. But they try. Woke up, got out of bed…

and I want to run away run away run away
but I didn’t know why I was feeling this way

For this reader–me, the man with the ponytail and need for vast stretches of moving cheese–the appeal of these lines lies less in their perceptions than in their aural felicities–the artful deployment of gurgling consonants, the quasi-rhyme of want and why and way, the subtle thumping of run and run and run, each step at a time. Also I like carbonation.

STANDOUT POEMS:


We will now address the poems that did glow. The poems that removed themselves from the pages, that levitated from their brethren, that smelled of linseed oil and tortilla:

BREADFRUIT

Why are you reviewing the second poem? You just did the first poem. What? Excuse me, this is my review, not yours. Fuck off. I am talking about BREADFRUIT because it makes a move, it makes a move I see in this book. The norm is quickly fracked open and split like a Chevy. It drives away rattling and I like the sound. It is representative in its way, like when you see a bird and think, “Well, I’ll never be a bird and that makes me sad.”

To mix metaphors is holy.

BTW, I generally hate any literature titled BREADFRUIT. It seems affected. This is an exception.

The poem opens like this:

Sometimes I write my name on my underpants

to remember who I am and sometimes I write

someone else’s name on my underpants to forget who I am.

The opening line, the “writing on my underwear” is a bit expected, a bit done before, a tad alloyed, but Bredle immediately accepts that, eats that, and vomits it out all red-gluey and anew as he follows with writing on someone else’s underwear. It is these twists and transfigurations that electric me in this book. It’s a spring mind, a wired brush, buzzing fence of feeling, often with cocktail cherries affixed on each individual barbed wire.

Suck a battery, is what I am saying, I think.

Traffic lights break progress.

Don’t you want a poem?

INFORMATION DESK

Hole fucking image:

I no longer drink milk

because it reminds me of clouds, blossoming

like blood in a glass of water.

So like an image like that, if you heard it drifting out a bar, you were walking past the bar feeling all deadly or dead, then you would stop and listen and walk inside and buy Jason Bredle a good beer and buy his book, too, and go outside and vomit into an apple vat.

CLOUDS

I will now discuss the epigraph. He is going to discuss the epigraph! Sean is going to…Holy shit I just saw a raccoon walk by my window and in its maw a yellow sleeve of French fries. Wild.

Ok, epigraph, a certainly anti-redemptive recollection of the void between life and dreams:

This is not the scene I dreamed of. Like much else nowadays I leave it feeling stupid, like a man who lost his way long ago but presses on along a road that may lead nowhere.

J.M. Coetzee

I am discussing CLOUDS.

With me, I’d been heightening my love of mashed potatoes
to a level of parody
to illustrate a point I’ve since forgotten.

And here you have your epigraph. Here you have graceful precision of authentic emotion, the fabric of a thing floating.

Hey, listen:

LOOKING AT CLOUDS=POETIC

BURLINGTON COAT FACTORY=PRACTICAL

I’ve been staring out the window at clouds,
remembering that day we were driving to Burlington Coat Factory,
how the sun was setting
and you said something about clouds

None of this is easy.

INVISIBLE TOUCH

Part of what make the Phil Collins
the portrait of the brilliant mellifluous God is that he radiates
the perfection like the entire universe shot through the cannon
of unbelievableness
toward another entity of unbelievableness
as like another Phil Collins being shot out of a cannon toward a third
Phil Collins singing his smash hit
Don’t Lose the Number
to a crowd of hugely glowing Phil Collinses
all a million feet high
and singing their smash hit
the Sussudio
in the Phil Collins Del Monte Stadium
of dreamland amazingtown—
Rock!

The asses at HTML have been discussing the idea of clever. Shouldn’t we take this Jason Bredle poem into the conversation? Is he being clever? Is he making fun? I mean this is Phil Collins, a depressed man, a man so cracked-up by a long-ago divorce as to often think of throwing himself into a river.

But Jason Bredle doesn’t make fun of Phil Collins.

But Jason Bredle doesn’t make fun of Phil Collins.

But Jason Bredle doesn’t make fun of Phil Collins.

Here, Phil Collins is the poet’s darker resonance of our daily grounded days. Here, Bredle goes all joy and loops, goes all dramatic context suggested, all labyrinthinian (sentence level) and true juxtaposition, Sussudio off In the Air Tonight, etc.

Drums Machines (the Roland CR-78 Disco-2 pattern, plus some programming)!!

Ah, shit, Phil Collins takes two years off music because he’s heartbroken, man, and he goes all, “If you told me you were drowning, I would not lend a hand.”

love enveloped in the chandelier nothing of wherever

love enveloped in the chandelier nothing of wherever

love enveloped in the chandelier nothing of wherever

love enveloped in the chandelier nothing of wherever

Why am I talking about Phil Collins? Because Beckett once said, “If you really get down to the disaster, the slightest eloquence becomes unbearable.”

As Jason Bredle knows.

A peck of apples weight 10.5 pounds.

Conclusion! Don’t you hate it when people announce their intent to conclude? You do? Me too! Fuck off.

As I have noted, Jason Bredle has a lot of work pinned online, but not his most perfect poem, CITY OF GHOSTS. This seems wrong to me, so I will now type the poem and place it online right now. This might be illegal? Fuck it. You get your lawyers, Magic Helicopter, and I’ll get mine. And I will win, win, win, because my brother is a lawyer and he “fixes” problems I get into, more than once. What was that, a siren or a howling dog? Also this poem deserves to be online. It is serious and playful. It smacks of uncanny. It breathes vision and re-vision. It is a grid of cadence. It deeply defines itself as itself. It is exhilarating to read and was exhilarating to type.

CITY OF GHOSTS

I visited the place and did the thing.

It’s something you have to do.

Later I went to Jane’s.

There was a guinea pig.

I took a hot shower and almost fainted.

I lay on the shower floor.

It was my birthday.

A sailboat of grenades drifted ashore.

The grenades were filled with black moths.

It was the coast.

I couldn’t pronounce the name of the village.

I counted everything I’d ever done

and the answer was 36.

Making music makes me happy

but I’ve never known how to make music.

Yes, yes…

Ever felt like a guinea pig? Ever felt your NAME called, when you aren’t from guinea and you are NOT A PIG?!

Many apples after harvesting and cleaning have commercial grade wax applied.

Yes, yes…

Thank you, Jason Bredle. For these particular words.

S

The Velveeta Continues

1. Velveeta Review.

227. Velveeta Balcony.

run run like a mechanical Velveeta

I went down thar into the hollow I did. Logs the size of Sara. Stairs up and stairs down. Sucky mud. The Eagle Creek Park 15k trail race. I ran that thar 15k over mud and water and weeping skulls of deer. I caterwhomped, I did. I caterwhomped over a log twice and now my L thigh all sore like a thrown crow. CAWWWCK it do so. Ruffled bones.

RESULTS:

Time: 1:01:08

Place: 17th overall.

Post-race meal: nachos.

Thanks Qdoba! I didn’t know Qdoba didn’t suck. I assumed they were blar. The chips are not blar. They were tight, crispy like aspirin tablets, fresh as the smell of corn gasoline. Perfect balance of corn, salt and fat. Yet can they support the weight of serious nachos? I doubt. So, if you stick with salsas, Qdoba chips are glow. I give them a 6.86 on the LOVELACE SCALE.

Trail running is odd the miles flow by because you aren’t thinking miles you are thinking don’t-bust-ass look at that Bald Eagle holy shit hundreds of wet wooden steps was that a bear? don’t bust ass what a pretty blue fern or was that a Mountain Dew bottle?

The trail runs seems to hanker back to when we were chasing something down or being chased. There is something remembered, recollected. The runner is very present and eons old.

Trail runners are simultaneously ugly and attractive. Covered in mud and beauty.

I prefer trail runs that are NOT loops. This was a loop, 3 times. Two laps I had to keep yelling out, “On your left!” or “On your right!” as I passed people. Annoying, and half the time you shout out, “On your left!” and the damn person jumps left!

The trail run offers the instant opportunity to fall. To fall and tumble is a rush, I’m sorry, a rush to avoid but then embrace. A man fell in front of me, a sort of odd, clunk fall, his legs somehow wrapped in a bog, then he sort of collapsed/crumped at the knees and rolled down.

I slowed and said, “You alright?”

He said, “It happens.” He laughed. It was a muddy laugh.

He’s right: It happens.

I have fallen on rocks, down boulders, while crossing mossy streams, etc. It hurt but I am glad I fell. I climbed something as I fell.

*

J.A. Tyler emailed me about his new book and said:

If you don’t like my book I’ll write you another book on the inside of that book. Order it, read it. If you don’t like it, ship it back to me & I’ll write a new book for you on the inside of that book. Yes. This is how much I believe in these words. A MAN OF GLASS & ALL THE WAYS WE HAVE FAILED.

This email made me think several things:

1. Couple years ago I remember when Molly Gaudry challenged J. A. Tyler to a publishing battle, like who could publish the most in one year or something. I think J.A. Tyler published 40012 times and Molly went a tad under 300 or so. Lesson: Never challenge Tyler when words are on the line. He will eat your typewriter.

2. J.A. Tyler could and would write an entire book in the pages of another book. I mean he could do it. The man makes Joyce Carol Oates look lazy.

3. J.A. Tyler is everywhere. Example, I sit at a desk right now. In arm’s reach, the new Broken Plate–J.A. Tyler has three texts inside. Oh look, right here behind my computer, The OFFICIAL CATALOG of the LIBRARY of POTENTIAL LITERATURE. Page 1: J.A. Tyler.

4. I have here a pink booklet with the letters MLP stamped across. Boy & She by Jessica Newman.

5. I need to order this new J.A. Tyler book, me thinks.

*

“We are told, for example, that Ralph Waldo Emerson, while he disapproved of laughter, did occasionally allow himself to smile, but he did so only with his eyes closed.”

Top poem about muffins I’ve read this year: Jeff Alessandrelli brings it a Diagram.

*

This Kyle Minor CNF interest me. The way it collapses and stretches and then goes spiraling out. It has a vast structure, yet folded into a tight steel canister, thus its pressure.

We begin with the trouble, but where does the trouble begin? My uncle takes a pistol and blows his brains out.

Also I just glow Gulf Coast.

Also years back Kyle Minor and I were drinking incredibly dark beer and he told me a story about a rabbit. Then he said, “Don’t steal that rabbit story.”

*

Last week I did a 20 miler on the treadmill while listening to an exhaustive three chapters from a long, long book on Siberia and it just now occurred to me how running 20 miles on a treadmill and Siberia are similar.

*

Teens from around the county spent the night dancing, playing basketball, and eating nachos, all while raising money for community charities. Been digging this cheese lately:

Bake corn tortillas. Add cheese.

Add to your favorite green nacho bowl.

Or even use your backup bowl. (You do have a backup nacho bowl, right? Bought mine a few years back from a BSU student in ceramics. Thank you, BSU student.)

*

I am late to this party but The Human Mind by Angela Woodward is fucking Mondo Glow!

These flashes wind and set piece break apart piece and take us into tunnels and along the edge of Gothic arches. Sort of like philosophical throwing of glass. Ideas sharded into our guts and eye-meat. Victorian prose spliced with birds made of neon pink. Odd, in a great way. A book that you put down, and think a while, then pick up and read, and think a while. A machine, a lovely machine. I will now go find and read more Angela Woodward.

Title story at Elimae.

*

BSU IN PRINT FESTIVAL is next week!!!

Tina May Hall, Debra Gwartney, and Paul Killebrew will read from their recently published books. The event will be followed by a booksigning and reception.

S

Velveeta Damn it!!

I am writing only about Velveeta for the remainder of 2011. Example:

Velveeta, 3 Snapshots

1.

Clouds. 7 Leaves plastered upon

a yellow wheel

barrow

lower back tattoo

stretched by hunger.

 

2.

Where do we put the beer?

Crisper emptied of plums

flung into ceiling fan.

Red crock-pot on Bobby’s head.

Hair drips like eels

lifted from a glazed sea

of RO*TEL.

 

3.

Whirling micro waves

swarm the air.

The apparition of a spoon.

Who double-dipped

their tranquility?

On the beads of the bowl

TV glitters.

*

Here is another at Juked.

I thank you glossily,

S